Born in 1997 in Ilford, Thomas Holland’s work explores Identity through sculpture, instillation, photography and sound. While Holland’s work is personal and draws from lived experiences as a working class person from Essex, Holland strive’s to create work that feels universal, Holland makes love letters to the working class experience and hopes to create a sense of understanding through shared emotions.

Holland creates work through the guise of “The Island”, a fictional island made from his own psyche and need to express the deeper meaning of his own psychosis and delusions. Translating into physical objects, images and sounds.

A majority of Holland’s work tends to involve the audience, wether through purposeful activation of the work or accidental involvement.

EDUCATION

Central Saint Martins MAFA, 2023 - Present
Central Saint Martins BAFA, 2018 -2022


Contact

Instagram
linkedin
email: thomasholland.art@gmail.com

EXHIBITIONS

Home Is Where The Art Is -2025-
Hypha Studios

Concrete Dreams: Just Can’t Get enough -2024-
https://www.firstsite.uk/event/concrete-dreams-just-cant-get-enough/

Behind the Rainbow -2023-
https://www.chelmsford.gov.uk/museums/whats-on/temporary-exhibitions/behind-the-rainbow/

Finding Home -2022-
https://www.tate.org.uk/whats-on/tate-britain/tate-britain-gallery

Intimate Simulacrum Virtual Exhibition -2021-
(Link no longer active)

Art Number 23 Virtual Exhibition -2021-
(link no longer active)

I Dance The Other -2020-
idancetheother.hotglue.me/

Lilith -2019-
www.instagram.com/houlecollective/

‘The Essex’ 2019-


This project is exploring the themes of identity and the metaphysics of space through the lens of my home county of Essex. I am delving into the Essex Stereotype, where it came from and how it became what it is today. 

To the Women I Love, 2025



To the women I Love, is a three part sculptural intervention - a love letter to the women in my life.  

 
 
I thought of how best to write this love letter and decided to create a Goddess of protection who I dubed “Gytha”, a Saxon name which means “warlike”, the first sculpture in this set, I contacted Dr. Sue Brunning and Dr. Sophia Adams, both curators at the British Museum for assistance with research and how to get the historical accuracy I wanted to, however this would soon fade and a more mystical idea of this Goddess took place.

Her companion is a stag called Herewulf, a Saxon name to mean “army-wolf”, or a companion warrior, he came about from the need to give her a male counterpart, someone to represent me in this series. He is there to help Gytha with her duties.

The final piece in this series is “Trish, 1993”, a photograph of my mum from her wedding day, hung on satin, I wanted to help contextualise the sculptures by showcasing one of the women the work is about, the most important woman in my life, my mum.


The work is made from found materials and blurs the lines of traditional femininity and masculinity, Gytha has a hard, typically masculine face in a warrior pose on top of a chariot. A combination of masculinity and femininity. The same can be said for Herewulf, a stag made from a cherry tree with flowers and a childlike face but with a protruding erect phallus, rough in skin but soft in face and temperament. All pieces of this work have been found or bought for cheap in order to create this folk-inspired series of works. They can be seen as individuals of together and the ideas of protection will still be visible throughout.   

The Spider, The Fae Thing and The Witch 2024-2025


This sculpture is a representation of the 1968 Ford Dagenham, Sewing Machinist Strike, a strike that would lead to the formation of the 1970 Equal Pay Act. I find spiders to be fascinating animals, their ability to weave and sew webs of such intricate design and I relate them to motherhood. Not sure why I relate spiders to motherhood but I do, this is something I am taking time to realise and find reason behind the connection.

This work is still a work in progress and its final form will have an eerier feel to it, as though this robotic spider is coming down from the ceiling.
These two sculptures are the Fae Thing (left) and The Witch (right), they are sister sculptures to The Spider as these are representations of visual hallucinations I have, while The Fae Thing is benevolent and tends to just be a watcher, The Witch has malevolent energy and wishes to do me harm. Of course I’m aware these things aren’t real but my brain can’t help but see them as such and I find myself in fear of The Witch who waits by my window.
I experimented with new ways of displaying titles by using two large encyclopaedias tabbed at the word and definition of the titles of these two sculptures.

Incidental 2024


Incidental, both the title and theme, is a performance based exhibition organised by Helena Goldwater, held in the Lethaby Gallery. My work titled, To Love, Life and Liberty explored my schizophrenia and issues with memory. I look heavily at personal identities within my practice and while focusing on Essex I decided to do some introspection and look at myself and how I struggle to remember my past and if my memories are real or fake. The sound I made to accompany this is a reflection of my personal view of myself and a struggle with my fading memories.


Poor Tom & Dark of The Mind 2024-2025


I constructed a papier-mâché head, painted to resemble my own. Its construction is intended to be as though it was found in the back of a prop department of an abandoned theatre. During this process I reflected heavily on my own mental health issues. A decomposing prop, falling apart and struggling to hold on to life, with a deep rooted light beaming from the skull of a borderline schizophrenic. The sculpture, titled “Poor Tom” is a reflection of my mental health issues and the intense struggles of daily life.

The sculptures relation to my Essex project is within its relation to me. Poor Tom being a manifestation of my own mental health and the uncanny formation of its painting gives way to a slight misaligned view of my observations of the world around me. I feel as though I am this uncanny creature that sways with the slightest wind, a person walking by will cause him to move as though it is possessed or perhaps haunted. The piece being titled Poor Tom is a reference to the character Poor Tom from Shakespeares’ King Lear. The sculpture is seen to be falling apart and broken, a decaying relic of the past, with vaudevillian aesthetics and a simple colour palette the sculpture is reminiscent of the past.
This photograph is a reflection of my mental health, it was intended to be paired with Poor Tom however its formal realisation was not until a few months later. This photograph is of me, in my garden topless, starring into a void of foliage, the apricot blossoms hang sparingly across the tree, their pinks and whites give the eye direction from the pale white body towards the flowers and further into darkness. I increased the saturation of colours to give the image a more vibrant colour story. The intensity of the greens gives the image a visual of something being not quite right, being lit with only a solitary, cold spotlight the blackness of shadows at there foot of the image give the idea of a floating island.

This image encapsulates the ideas of a void and the essence of my mental health. I have found over the years the state of my psychoses worsening. I have found myself having visual hallucinations more often, these come in the form of a white ghost like entity I have called The Fae Thing, she is harmless and not a creature of malice and The Witch, another manifestation of my schizophrenia. The Witch is a woman whose form is such a deep shade of black that when she sits outside my bedroom window at night you can’t see her, but she is there. She is the figure in the void I am starring at and The Fae Thing stands behind me also terrified of The Witch.

This is Science Fiction 2020 - 2021


This is Science Fiction is a series focusing on the ideas of home, what is home?

For me, home is a moving object, I was born in Barkingside, a place situated in an odd place, not quite London and not quite Essex, it stis in the border between here and there, I have moved around a lot in the last couple of years and can’t definitively place where I am from. 

This series exlores that moving object of home.

 




I Dance the Other 2021


I Dance The Other seeks to explore how fine art practice can cross fertilise each other onto new creative possibilities.

An interdisciplinary project in collaboration between Central Saint Martins and Studio Wayne McGregor

In tandem with the current immunological crisis, we have adapted the project to social-distancing protocols. Since quarantine has to do essentially with a suspension of the physical space, the project intuitively shifted to the digital sphere. But still we want to share a dance, though captured movements and lapses of cutting and pasting. There is an eminent sense of disconnection between body and image in screen, the spaces are flattened and time is stretched. Still it gives a wide possibility for storytelling, idealized bodies and twisted effects.

These projects are pieces reflected upon a group of interrupted bodies and isolated artists, dancing through digital windows.

link to archived event - https://idancetheother.hotglue.me/




EXPERIMENTS IN SOUND AND VISUALS









Becoming Invisible 2019 - 2022


A how to guide on how to become invisible in a practical and efficient way.

This project is an exploration of how as a queer person I tend to shrink myself and hide in public spaces to avoid conflict and too assimilate with the heteronorm, essentially making myself invisible.



  

Hidden Tiles


I hid these tiles around the Central Saint Martins Kings Cross campus to see if anyone would be able to find them, the last tile was remvoed in February, 2022, after being dislodged from the wall and later removed by the estate’s team. This action marks the end of this project. 

Enviromental Studies 2018-2020


These two projects are studies in consumption and waste. Overuse and fast fashion. Creatures form from landfills and become alive, Plastic People and Snobjects survive. Long after we are gone.




Plastic People

Snobjects

Snobjects 2018 - 2020


Snobjects is an ongoing project of mine in which I attempt to physicalise what it means to be me, what started out as a light and fun project become something extremely personal.

The masks are constrictive of not just the wearers face to the public but also the public to the wearers face, this suffocating feeling and sense of entrapment is something I aimed to capitalise on in this project.

The works are representative of the feeling of lonliness, the Snobject is created from the alienating feeling of being alone.










Plastic People 2015 - 2017


What would happen if plastic rubbish transformed into a new dominant life form?

Plastic People is a two year long photographic and video project I worked on wherein I explored the disastrous effects of plastic on the environment.

My key focus was on the effects it has on humans, the idea of being consumed is present in all aspects of the project as that is what plastic is doing to us, consuming us.









Lilith 2019


LILITH is an exhibition I co-created, curated and exhibited at Safehouse 1 in Peckham.

Lilith is the exploration of the body and its relation to modern identity politics. Taking inspiration from mythical and historical female protagonists, we aim to express the contemporary being.
I explored the Babylonian myth of Ishtar trapped in the Underworld and how she was rescued by a queer figure called Asushunamir, the key point of the story I looked at was how Ereshkigal (the Goddess of the Dead) cursed Asushunamir and all people like them to forever live in the shadows but Ishtar said she would be a protector of them and the desendants.



Miscellaneous works from 2015 - 2020



Ophelia Found, 2020


Part of Tate Modern’s, Tate Collective, Bilboard Project open call, to create a work based on a piece of art from a pre-set collection of images, I chose to recreate Sir John Everett Millais’s painting, Ophelia.


Poems for Lydia, 2020


is a poem I wrote for my friend and fellow artist Lydia Poole


Mother Mary, 2019


In collaboration with Nigel Grimmer, we created a series of high camp images, the extreme editing was my take away from the base images that were shot by Nigel.


Bubblegum B*tch ep 1, 2019


Video taken from collaboration with artist Alice Bajaj, of an installation at Tate Modern as part of tate Exchange

Bubblegum B*tch ep 2, 2019


Video taken from collaboration with artist Alice Bajaj, of an installation at Tate Modern as part of tate Exchange


I AM man, 2016


a film about toxic masculinity

FRAN, 2015


a short film about growing up.

Gregor, 2017


An instillation about opposites, light and dark, hot and cold. Real and Fake.
Gregor is a soft sculptor suspended on fishing wire while a projection oscillates between images of lava and water.

Gregor is a representation of me and my relationship to reality. Unsure of what is, and is not real.


Raid.R


Raid.R is an art publication i have the pleasure to work for, during lockdown I was invited on as a reporter, my main duties involved writing reports for the website and publication. I mostly worked on interviews but as the magazine was being published, I also did photoshoots with people I interviewed, here are some of those images and a link to the Raid.R 
https://www.raidr.net/


© Poor Tom | ︎ | Poor-tom.com designed by Thomas Holland